![]() While the process is very intuitive and easy, it might seem awkward and even counter-productive when photographing moving subjects. First, it is a manual focus lens, which means that you will have to learn how to adjust the focus while watching the focus indicator in the viewfinder. One thing I have to be clear about upfront – the Nikon 24mm f/3.5D PC-E, along with other PC-E lenses is not an easy lens to use. Distant subjects can even appear “miniaturized”, although the effect can be easily reproduced in Photoshop through various plugins. Due to the ability to apply selective focus on a particular part of the image via lens tilting (also known as “ anti-Scheimpflug“), portraits can appear more interesting and creative. One other use that has been gaining popularity lately is to use tilt-shift lenses for portrait photography. Again, stopping down does not always work and unless angles are changed and subject is on the same plane, there is no easy way to get everything sharp without focus-stacking images in post-processing software like Photoshop.īy using tilt-shift lenses, photographers do not have to worry about lens aperture limitations and can achieve the desired effect with minimum effort. The same goes for commercial/product photographers that photograph jewelry and other items for product showcases – everything from the front to the rear of the object must often be in perfect focus. ![]() With perspective control/tilt-shift lenses, landscape photographers can change the angle of the focus plane without having to increase aperture, putting both closest and furthest objects in focus. While proper lens and camera techniques, along with good post-processing skills can help in getting sharp images for both foreground and background objects, normal lenses have certain limits landscape photographers have to work around with.įor example, stopping down lenses beyond f/11 results in diffraction, which can impact the sharpness and overall quality of an image. Landscape photographers need to be able to get everything in focus – from the closest foreground object to distant landscapes. The Nikon 24mm f/3.5D PC-E is a very specialized wide-angle lens specifically targeted at three groups of photographers – architecture photographers, landscape photographers and macro/product photographers.Īrchitectural photographers often work with a lot of straight, often converging lines both indoors and outdoors and the “Perspective Control” or “Tilt-Shift” lenses (from this point on I will refer to them only as “tilt-shift”) give the ability to avoid the convergence of parallel lines by shifting the lens upwards or downwards. This is an in-depth review of the Nikon 24mm f/3.5D PC-E, a special purpose wide-angle “Perspective Control” lens designed for architectural, commercial and nature photography, also known as PC-E Nikkor 24mm f/3.5D ED.
0 Comments
Leave a Reply. |